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2017.07.06 Thu, by

Zheng Li: An Artist’s Obsession with the Aesthetics of Brush and Ink

Anyone who knows both me and Zheng Li is aware that we are unabashed admirers of each other’s work. >> Read more
2016.12.12 Mon, by

Second Edition of INK ASIA
Features Strong line-up of Galleries and Almost 100 Artists

INK ASIA, the first-ever art fair devoted to contemporary ink, returns to the Hong Kong Convention and Exhibition Centre for its second edition from 16-18 December 2016, with a Private Preview and Vernissage on 15 December. >> Read more
2019.08.06 Tue, by

Clare Woods: Doublethink
Simon Lee Gallery,London

‘The power of holding two contradictory beliefs in one's mind simultaneously, >> Read more
2019.04.02 Tue, by

M+ announces the six artists shortlisted for the inaugural Sigg Prize, with the winner to be announced in January 2020

M+, Hong Kong’s museum of twentieth- and twenty-first-century visual culture in the West Kowloon Cultural District, >> Read more
2019.03.14 Thu, by

Li Jin
Flesh and Bone
Ink studio

INK studio is proud to present Flesh and Bone, a comprehensive survey of internationally renowned artist Li Jin’s early works, >> Read more
2018.11.22 Thu, by

“As We May Think, Feedforward”, The 6th Guangzhou Triennial 2018, Guangdong Museum of Art

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more
2018.07.24 Tue, by

de Sarthe Artist Residency
x Forever & Today
Featuring Christopher K. Ho

de Sarthe is pleased to announce its second de Sarthe Artist Residency (deSAR) in Hong Kong. >> Read more
访谈, 2018.06.07 Thu, by

A Cubist Portrait of Shi Yong: Artist, Art Worker and Art Collector

(中文) 作为一名多媒体艺术家,施勇(1963年生于上海)的创作涉及行为艺术、装置、影像和雕刻,其不拘一格,风格迥异的作品背后往往体现了其对文化、经济,以及艺术界的深刻剖析。 >> Read more
访谈, 2018.06.01 Fri, by

Art for Radio? Radio for Art? – an artist-led symposium

Can radio be art, rather than just be about art? >> Read more
访谈, 2018.06.01 Fri, by

Marina Pinksy
‘Everything Was Forever, Until It Was No More’
RIBOCA1
Riga International Biennial of Contemporary Art.

The title, Everything Was Forever, Until it Was No More, is borrowed from Alexei Yurchak’s book of the same name. Yurchak discusses the collapse of the Soviet Union and one particular characteristic that defined it: the sense that although the Soviet system was felt to be permanent and immutable, its demise was at the same time perceived as completely natural. >> Read more

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